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Back in Springfield, the family argues about what to wish for. When Maggie picks up the paw, a limousine suddenly arrives outside.
Homer praises her and cuddles her into his bosom, but is annoyed when the limo driver delivers a new pacifier for Maggie and then drives off. Bart grabs the paw and states that there will be no more fooling around.
He then wishes for the Simpsons to be rich and famous. Marge rushes in, announcing that her purse exploded with money, and Homer takes the family to the fanciest restaurant in town, The Singing Sirloin. Whilst there, they soon discover that people have quickly tired of the family's annoying antics, cheesy merchandise and celebrity treatment.
Horrified by these wasteful wishes, Lisa wishes for world peace with the best intentions. All countries declare peace and are eager to destroy all weapons by throwing them into a giant furnace.
Military personnel and Police forces take up jobs baking cookies and all nuclear weapons are disposed of. Before long, Kang and Kodos realize the human race is "ripe for the plucking" and enslave the Earth armed only with a slingshot and a club.
Kang then crowns himself king of Earth. The people angrily blame the Simpsons, wishing they were dead. Determined to make a wish that cannot be twisted, Homer demands a turkey sandwich which, to his horror, turns out to be a little dry. What demon from the depths of hell created thee? As Homer throws the paw in the trash can, Ned Flanders asks if he can have it. Homer gladly hands the paw over to Flanders, hoping to see his neighbor's wishes backfire as well.
Ned wishes for the invading aliens to depart, which is accomplished by Moe chasing the aliens away with a board harbouring a nail.
As they retreat, the aliens proclaim that one day humans will make bigger boards with bigger nails and eventually destroy themselves with their own power. Everyone celebrates and after Flanders wishes to "spruce up the ol' homestead", his house is converted into an opulent castle resembling Cinderella Castle in Disneyland.
Homer angrily mutters to himself, "I wish I had a monkey's paw. No one dares to displease him; his family, his teachers, and everyone else in town are all forced to continuously smile and submit to Bart's every whim.
He renames America 'Bonerland' and changes the flag to stars and stripes to a black flag with a skull and two crossbones.
The 10 best movie parodies in The Simpsons
Anyone who thinks unhappy thoughts is immediately punished. When Homer refuses to switch an American football game so that Bart can watch Krusty the Klown, Bart transports him into the football stadium in place of the ball for an extra point kick. As Homer creeps back into the house, thinking to himself, "slowly, slowly, don't make a sound, don't even think, 'cause he can hear your thoughts. Then, when he's least expecting it, bash his head in with the chair; end of the monster for him", Bart transforms him into a jack-in-the-box.
Marge suggests that the two see Dr. Marvin Monroe, who says that Bart is desperate for paternal affection. Despite being a jack-in-the-box, Homer spends quality time with Bart, and they soon become a normal, loving family.
Bart restores Homer's body and tells him he loves him. But when he is kissed by Homer, Bart wakes up in a screaming fit, terrified from his nightmare. In Homer's nightmare he answers a classified ad to become a grave digger. Meanwhile, Burns is nearing the completion of his giant robotic laborer, whom he hopes will eventually replace weak-bodied human workers.
The only remaining step is to implant a human brain into the machine's body.
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Searching a graveyard the following night, Burns and Smithers mistake Homer, snoring in an open grave, for a newly buried corpse. Burns removes his brain with an ice cream scoop "Dammit, Smithers! This isn't rocket science, it's brain surgery! However, Robo-Homer is just as lazy and incompetent as he was as a human, using his x-ray vision to locate donuts. Burns declares the experiment a failure and, after restoring the brain to Homer's still-living body, kicks the robot, which topples over and crushes Burns.
After the psychotic scientist tells Smithers to get some surgical tools and ether, Homer wakes up screaming from this nightmare and discovers that Smithers has transplanted Burns's head onto his right shoulder.
He thought it was a dream, but was it? This episode ends with a joke announcement of what will happen on the next Simpsons episode. The Simpsons are eating breakfast and Homer is seen with Mr. Burns' head, and is told that he has to do everything Burns does. Homer laments how he hates having two heads.
Homer tries to smuggle a Honk if you're Moroccan bumper sticker through customs. Marge's hair recalls Bride of Frankenstein James Whale, There are also references to the seventies Charlie Brown TV cartoons - the crowd of trick-or-treaters at the start of the episode, and The Wizard of Oz Victor Fleming, - Mr Burns' scolding of his robot creation. Homer's attempt to smuggle the Monkey's Paw into America by taping it to his body and his discovery by customs guards, recalls the attempt to smuggle drugs out of Turkey in Midnight Express Alan Parker, We draw a blank on the identity of the baker in Lisa's nightmare.
In the opening segment Marge says: Before last year's Halloween show, I warned you not to let your children watch, but you did anyway. Well, this year's episode is even worse. It's scarier, more violent, and I think they snuck in some bad language, too. So please, tuck in your children and In the opening credits, we see Jim Morrison's grave, along with Walt Disneys. Jim Morrison's grave includes graffiti references to various songs by The Doors and to pop culture of the time, including "MR.
It also includes an image of a lit marijuana cigarette and a bottle of liquor, the first a cultural reference to the prevelence and importance of marijuana use in the late 's, and the latter likely a reference to the cause of Jim Morrison's death.
In addition, two people dressed in commonly accepted "hippie" clothing sit around a campfire adjacent to Morrison's graves. In Lisa's dream, the Monkey's paw, is a homage of the story of the same name by W.
In the opening sequence of the episode, the Peanuts gang appear wearing their costumes from the popular animated television special It's the Great Pumpkin, Charlie Brown. Homer's nightmare is based on much of the film Frankenstein.
The end of the episode parodies The Thing with Two Heads. In Lisa's nightmare, just as the Simpsons are about to board the plane, they are stopped by Moroccan soldiers who all aim rifles at them in the kneeling position. Homer is then searched and found to have trinkets attached to his body which he was attempting to smuggle out of the country without paying a tariff.
This is a parody of the opening scene in Midnight Express. Burns also calls the robot that had Homer's brain a "clinking, clattering cacophany of colligenous cog and camshifts", similar to the Wizard's line to the Tin Man: November 7, Writer: Mike Reiss, Al Jean.
Lisa requires a reed for her saxophone because there is a talent show that evening. So she calls Homer for help. He agrees but goes into Moe's before the music shop, which is right next door. The shop closes in 5 minutes. Homer, thinking he has enough time to drink the beer, enters Moe's. He walks out with 15 seconds to spare but is too late as the shop is closed.
Dejected, he goes back to Moe's where the shop owner is enjoying a drink. Moe helps Homer convince the man to re-open his store. Homer, purchases the reed and heads for the school but he arrives just in time to hear Lisa humiliate herself by butchering the song she chose to play. To make Lisa love him again, Homer decides to purchase a pony. To afford the pony, he applies for a loan through the Power Plant Credit Union.
Burns personally reviews the loan, and approves it only after determining that Homer does not intend to eat the pony and has no knowledge of the "state's stringent usury laws".
In order to pay for all the care it requires, Homer takes a second job working for Apu at the Kwik-E-Mart. He becomes more and more exhausted after trying to work both jobs. Finally, Marge admits to the kids that their father has been working two jobs to pay for the pony.
Making a heart-rending decision, Lisa agrees to give up the pony, allowing Homer to go back to solely working his regular job. Lisa tells Homer that there's a "big dumb animal" she loves even more than her horse, that being Homer himself.
In the couch gag the Simpsons rush in and sit on Homer. Princess is bought from the Grateful Gelding Stables. The sequence in which Homer's sleeping self drifts away is inspired by the US cartoon strip Little Nemo in Slumberland, which dates from the beginning of the twentieth century.
There is a scene recycled from Bart's Dog Gets an F when we see Lisa lying on the couch with the mumps as she says on the phone to Homer "I just called to say I love you, Dad! This was added in deliberately to see if any fans were alert. Ralph Wiggum is seen, drawn as he is now, having previously been drawn differently.
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- Michael Hogan lists The Simpsons' most memorable nods to cinema
However, he speaks in Nelson's voice. The season eleven episode Saddlesore Galactica revisits the idea of the Simpsons adopting a horse as a pet, with the Comic Book Guy pointing out that The Simpsons have already done it by stating the plot of this episode as a metajoke about Simpsons fans particularly those on alt. The episode starts off with a Dawn of Man sequence spoofing the film In syndication, the song is replaced with a dream-like guitar piece due to copyright laws.
The original music remains in the DVD. The scene in which Lisa first awakes with the pony in her bed is an obvious homage to the famous scene of Part I of The Godfather, in which a movie producer awakens to discover the head of his favorite horse removed and placed in his bed. The musical chords used in the episode are the same, but shortened. Millicent, the woman at the horse stables, is modeled after Katharine Hepburn. In a flashback we see Homer watching the tv serial Fantasy Island instead of paying attention to Lisa.
November 14, Writer: Ken Levine, David Isaacs. However, the catch is that he must build his own Soap Box Racer. In the meantime, Homer takes a fatherhood quiz and discovers he knows next to nothing about his son. He offers to help his son by building him one as a surprise. Homer can only manage a very shoddy, rickety piece of junk for a racer named Li'l Lightnin'especially so in comparison to Martin Prince's personally designed and built space shuttle-like racer, Honor Roller.
Unable to gather the courage to tell his father that his racer is terrible, Bart attempts to use it in the preliminary match, where he and Martin form an alliance vowing that either must somehow beat bully Nelson Muntz and his very intimidating racer, the Roadkill When the race is underway, Bart can barely reach any kind of noticeable speed with Homer's racer, which eventually falls apart. Meanwhile, Martin has difficulty controlling his racer, as it is moving too fast, which eventually causes his racer to crash while he catches fire due to the combination of velocity and friction of the racer.
After being injured, Martin finds that he can no longer race and opts for Bart and himself to combine forces by having Bart race Martin's racer over the racer he and Homer built. Bart seeing no other way to win agrees, breaking Homer's heart. When Bart later apologizes and desires Homer's best wishes, Homer selfishly denounces both Bart and Martin telling Bart to do whatever he wants. Dejected, Bart gets ready to race in the final match with Martin's newly tuned racer.
As he does this, Homer thinks to himself about how selfish he has been, realizing he has learned a lot about his son, and that Bart needs his support regardless of whose racer he is using and he rushes off to the race. At the starting line, Homer wishes Bart luck and tells him that no matter how the race ends he'll still be proud of him.
The race is tough as Nelson pulls every dirty trick in his arsenal, but eventually through his skill Bart comes out on top and the "team" enjoys their victory. In the couch gag the sofa collapses in on itself, leaving the Simpsons' legs in the air. The McBain movie seen at the start of the episode, with its scenario of the retiring cop being shot, is drawn from Lethal Weapon Richard Donner, In the episode, Homer reads and quotes Fatherhood by Bill Cosby, the book can be seen again in the episode Dog of Death, burning in the fireplace.
While on hold, the song being played is "Cat's in the Cradle" by Harry Chapin. November 21, Writer: Rich Moore, Alan Smart.
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Moe and his tavern are in serious financial trouble. After he runs out of beer, Homer decides to tell him about a drink recipe that he accidentally invented one night, called the "Flaming Homer". Homer explains that after Patty and Selma made the Simpson family watch slides from their latest vacation, he was unable to find a beer. He decided to mix together drops of liquor from near-empty bottles and accidentally included a bottle of cough syrup. When Patty dropped cigarette ash in the drink and set it on fire, Homer discovered that fire greatly enhanced the flavor of the drink.
Moe steals Homer's recipe and begins serving the "Flaming Moe" as his own concoction. Moe sees his business boom, and his tavern soon becomes one of the trendiest nightspots in Springfield and Aerosmith's official hangout.
Homer becomes angry with Moe and vows never to return to the tavern. He subsequently becomes obsessed with Moe and how he betrayed him. After the waitress Moe has hired discovers that Moe stole the recipe from Homer, she convinces him to sell the drink and give half of the money to Homer.
Moe is about to accept the deal, and share half of the money with Homer, when Homer arrives at the tavern and climbs on top of Aerosmith's set. He gets his revenge on Moe by revealing to everyone in the bar that the secret ingredient is ordinary cough syrup. Within days, nearly all restaurants in Springfield are serving Flaming Moes under slightly altered names, such as Flaming Meuxand Moe's business has greatly decreased.
Homer stops in and finds that Moe is not angry at him. Moe even gives Homer a "Flaming Homer" on the house. In the couch gag the Simpsons rush in to find the sofa's been stolen. Catherine O'Hara originally played the female bartender, but after she recorded the producers found that her voice didn't sync up well in animation, and a cast member played her instead. Moe's Tavern is on Walnut Street. Aerosmith perform the closing track Young Lust.
The notion of a brewery buying out a bar for one drink is a nod to Cocktail Roger Donaldson,while Homer plummeting from the rafters recalls The Phantom of the Opera.
A Flaming Mo is American slang for a camp homosexual. In phone prank Bart says: Hello, can I speak to Hugh Jass. This is the first time Eye on Springfield appears, with the full montage and Homer saying "Wow, info-tainment". In this episode Lisa's sax solo during the opening sequence is different from the one used in all previous episodes.
The solos are different in all subsequent episodes. The Flaming Moe could have been the influence for the southern drink "syrup" also known as "lean", or purple drank.
Burns Verkaufen der Kraftwerk: December 5, Writer: Burns wants to sell the plant to pursue other interests. They immediately begin a thorough evaluation of the plant and its employees. When they interview Homer, he is unable to intelligently answer their questions and begins slipping into a now-infamous fantasy about cavorting through "The Land of Chocolate. A depressed Homer mopes around the house, insisting he is a competent safety-minded worker.
There, Homer and the other bar patrons, along with Bart who Marge sent to pick up Homer mock scornfully at Burns for losing the power plant. Burns realizes that only his ownership of a nuclear plant gave him power over ordinary men and is resolved to buy back the plant. In the couch gag the Simpsons rush in and back off as Santa's Little Helper rears up menacingly.
This episode's title is German and is, apparently intentionally, grammatically wrong. If it would be right, it would be: Burns has a photo of himself with Elvis Presley similar to a real life photo of Richard Nixon with Elvis.
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Pepper" uniforms which they never did and occasionally depict John Lennon in his iconic era look while the rest of them still look like they did on the Ed Sullivan Show. Nowadays, of course, parodies like this have effectively died out. Volume 3 features numerous references to the characters and locations of Harry Potter albeit never by namewith the idea that all of Harry's adventures have been manipulated in order to drive him to destroy the world as the Anti-Christ.
The only character who seems to escape disapproval is Severus Snape, who is given the dignity of delivering a foul-mouthed "Facing the Bullets" One-Liner — seemingly because Snape is the only Harry Potter character who shares the author's views of the character.
Moore is actually parodying the blockbuster and franchise-heavy nature of millennial nature much of which was shaped by the direct and indirect influence of Harry Potter. Volume 3 often led many to see it as a satire of the entire millennial generation since its main theme was that the 21st Century is culturally barren compared to The '60s and Victorian Britaina judgment that many instinctively find offensive, and which isn't helped by the fact that Moore isn't particularly familiar with contemporary culture.
President Bartlettfor example, is mentioned in terms that suggest him to be an analogue to George W. Bush, whereas you don't have to watch the series for very long to realise that he's actually a lot closer to Bill Clinton. The third volume's criticism of twenty-first century popular culture is rather undercut by the evidence suggesting that Moore doesn't actually know a lot about twenty-first century popular culture, and the lack of public domain character from the contemporary era means that he can't make the deep cuts he did in his more celebrated first two volumes.
In his public apology for the quality of the book, he admitted that his hatred of manga stemmed from flipping through a sexually-explicit one at the library and wishing the Japanese would Think of the Children! Satires of Golden Age wartime superheroes such as Marshal Law or The Boys will usually portray the heroes as racist in the extremewholly ineffective at handling the Nazi war machine's tanks and guns, and receiving nothing but disgust from their allied soldiers, who are treated as The Real Heroes who won the war while the superheroes got the praise.
The idea of them being hated by soldiers is baffling, as quite a few of them were created by writers and artists who themselves enlisted Jack KirbyJerry Siegel, and Will Eisner being some of the most famousand the comics themselves were popular enough amongst soldiers to be widely shipped to the warfront. The racism is sadly more or less accuratebut even then, the large number of Jewish creators and Superman fighting the KKK suggests it wasn't universal - and these stories tend to be oddly silent on how the Real Heroes treated minorities.
Much like the above Aquaman example, jokes about Kid Sidekicks are pretty much universal in superhero parodies, but you'd have a hard time naming a straight take that first appeared after the s.
The vast majority of teenaged or younger heroes to debut since then have been independent to some degree; even ones that operate in another hero's image, such as the Connor Kent Superboyoperate on their own or in a team rather than as a sidekick.
Batman is pretty much the only hero to play it straight nowadays, by virtue of the Grandfather Clauseand this is almost always justified In-Universe with Robin being fairly new and in training with Robin often joining Batman mid-way through each continuity. Not only did the characters only superficially resemble the characters they were spoofing for instance, Corporal Globe is depicted as a pompous and arrogant show-boater while Captain Planet was altruistic and always treated his battles seriouslybut the story also exaggerated Captain Planet's notoriety for heavy-handed environmental messages by devoting an entire page to the Globiteers annoying the hell out of the citizens of Tromaville by interrupting their activities to give long-winded lectures on how they can take better care of the environment that boiled down to "Doing anything at all is harmful to the environment".
Every strip is just some random thing happening, only for a random character to be involved and thus A highway worker finds a dead cat on the road A woman making a bed is revealed to sport a tramp-stamp A person spontaneously combusts and burns to death It's Thing 1 from The Cat in the Hat!
Aren't you just killing yourself laughing right now? It's pretty clear from his parodies, though, that he never actually read the strip at least not as an adult. In the episode of the anime it was based on, he summons them across three different turns, which is perfectly legal.
Even then, it'd only be against the rules if he Normal Summoned them - multiple Special Summons are entirely legal. It was the first episodeand LittleKuriboh hadn't worked everything out yet. This one was even pointed out in the series itself, when a bizarre alternate version of Kaiba, upon being asked "That's against the rules, isn't it? Why would it be funny? The show's constant insistence that the OCG is a "children's card game" can fall flat when one realizes that, like with most competitive card games, the majority of players are adults.
The page for Absurdly High-Stakes Game has dozens of examples. The game itself was also basically a Bland-Name Product of Magic: The Gathering when it was first introduced, which few people would call aimed at children.
Coverage of the spinoffs tends to be pretty hit-or-miss, as well. In a later appearance, he spontaneously turns into a completely different character with a completely different voice, whose principal jokes a silly accent and hair that changes color from shot to shot has basically nothing at all to do with any incarnation of Dartz in favor of an extended Perfect Hair Forever reference. Films — Live-Action Any parody of James Bond will always seem to be a spoof of the Sean Connery version of the character, even though he hasn't been in an official EON-produced Bond film since or in a non-EON one since '83 and there have been five other actors in the role to date.
Saw is a popular target for this, mainly because the very concept paves way for some very creative takes that don't require much research. One thing that more targeted parodies love to point out, however, is that Jigsaw shouldn't be able to lie as still as he does throughout the entirety of the first moviefew—if any—taking into account the muscle relaxant that was alluded to throughout the movie.
Though granted, that still doesn't explain how he breathes with his face in a puddle, or how the prisoners don't notice his breathing. The writers finally spelled it out in the third entry. Kaiju films are usually only targeting Godzilla and especially the s and s movies.She's Dating The Gangster Parody
Sincekaiju movies are far more serious in tone and the rubber suits generally look more realistic and less goofy. The pot-making scene from Ghost is the target of parody. However, Sam is always portrayed as a ghost, when he hasn't died at that point in the movie.
Spaceballs was accused of being this by critics when first released inalthough most fans today say otherwise.
Indeed, most would agree the film averts this; for example, Princess Vespa initially seems more like a parody of fictional princesses in general than of Leia in particular, at least until her Character Development after the hair dryer scene. Mel Brooks himself commented on this trope via this film, saying that it's too easy to make fun of bad things and you should "only mock what you love. It doesn't help that Charlie got his start in Hollywood working for Mack Sennett, who - Chaplin's creative input notwithstanding - relished that kind of knucklehead humor.
Buster Keatonanother icon of the era, never even had one pie-in-the-face gag in any of his movies. Whenever Carry On movies are parodied, it's often based on the later years of the franchise — which was known for the introduction of partial fanservice through nudity and sexual innuendo — and is so exaggerated that it's more of a parody of the Awful British Sex Comedy genre instead ironically, what Carry On trope madeto an extent. This portrayal completely overshadows the heydays of the franchise, which contains box office smashes like Carry On Up the Khyber and Carry On Nurse that have a much more intelligent style of comedy.
In fact, Disaster Movie parodies films which were not released at the time the script was written which would go on to become a theme in their next several movies. As a result, it includes parodies of films which flopped and were already forgotten by the time Disaster Movie made it to theaters. Vampires Suck mostly averts this, except for a couple of throwaway gags.
The Starving Games continues their " trend " of focusing all the comedy on sight gags and random pop culture references based on the trailers of contemporary movies, to the point where calling it a "parody" is a bit of a stretch. Reviewers noted that the movie is kind of redundant, given the Fast and Furious franchise had long since entered Self-Parody territory.
Cracked notes that one "gag" from Epic Movie takes shallowness to its extreme by having a Wolverine Expy flip someone the bird with his claws, which had already been done with the real thing in X-Men.
It's literally just regurgitating a better joke from a better movie. Film Brain likewise points this out during his review of the movie. Along with the aforementioned Wolverine bit, he found a scene that is stolen word-for-word from Boratwith only one bit of dialogue referencing the scene's location changed.
The parodies of Craig Moss are as reviled as Seltzer and Friedberg, if lesser known many didn't even hit theaters. Some even go the route of a Long Title cramming in as many references as possible, thinking that's a joke by itself. Well we don't have any writers, so we're just going to do the scene just the same, but make it longer and less funny. Heyhere's the Verizon guy! Breaking Wind is especially bizarre, as despite its title the film is a direct parody of Eclipse, easily the part of the series least suited to parody.
Anyone hoping for gags about falling in love with babies will be disappointed. Somewhat more excusable example: Mind you, that's one parody in a film which includes many more. The majority of the film is a direct parody of Zero Hour!
According to the commentary, because the writers had never seen the film, they didn't even know they were parodying it. Ingmar Bergman parodies are usually just spoofing the "Death playing chess scene" from The Seventh Seal and the two women in extreme close-up talking to each other while not looking each other straight in the face from Persona It's such a Pop-Cultural Osmosis that most parodists haven't even seen the entirety of these films and just base their Le Film Artistique spoofs on these two scenes.
Murder by Deathbeing a parody of famous fictional detectives, has this happen with some of its parodies: The way Miss Marple and Hercule Poirot are parodied has completely nothing to do with these characters. Miss Marple is prone to long-winding stories about her home village and is a mild-mannered sweet old lady. Poirot is very composed and precise and, most of all, very polite to everyone he meets; he wouldn't dream of screaming at people. The characters in the film are pretty much their opposites, which would work, but none of the others are portrayed that way.
The film also misses the point of Nick Charles. Dick Charleston is portrayed as "enormously well-bred" and sophisticated. Nick's wife is classy, but Nick himself is a streetwise New York flatfoot, and one of the series' Running Gags is how little he tries to fit in as a socialite. Silent film parodies will always portray them as grainy-looking, fast-paced slapstick comedies with funny background music.
Only a few select classic film stars managed to stay in the public consciousness over the years, with most of them being comedians like Charlie Chaplin. Despite the parodies, silent films came in as many genres as "talkies" and most actors weren't slapstick at all.